ResourcesSheet MusicAndrew Carlins7 min read

What Is MusicXML, and Why Does It Matter?

MusicXML is the file format that lets sheet music move between programs without being retyped. If you have ever wanted to open a score in MuseScore that started somewhere else, this is the format that makes it possible. Here is what it is and when to use it.

What MusicXML is: the open format that carries a score between MuseScore, Sibelius, Finale, and Dorico

MusicXML is the file format that lets a piece of sheet music move from one program to another without anyone retyping a single note. If MIDI is the language computers use to play music, MusicXML is the language they use to write it down. It stores a score the way you read it, with notes on staves, clefs, key and time signatures, lyrics, and dynamics, all in a form that MuseScore, Sibelius, Finale, and Dorico can each open and edit. Here is what it holds, how it differs from the formats it sits next to, and when it is the file you actually want.

What MusicXML is

MusicXML is an open, text-based format that was created to solve one specific headache: notation programs used to store their scores in private formats that nothing else could read, so a piece written in one editor was trapped there. MusicXML gave them a common interchange format, the way a Word document or a PDF lets text move between programs. It has been the de facto standard for sheet music exchange for years and is maintained as an open specification, which is why it has outlived individual apps and keeps your work portable.

What it stores that MIDI does not

This is the part most people get tangled up in. A MIDI file stores a performance: the notes and their timing, enough to make sound. MusicXML stores the written page, which is a richer thing. It keeps track of details that only matter once music is being read by a person:

  • Correct spelling. Whether a black key is an F sharp or a G flat, which MIDI cannot tell you because both are the same key.
  • Rhythm and beaming. Notes grouped into clean rhythmic values and beamed the way a reader expects, not raw millisecond timings.
  • Layout. Measures, clefs, the split between the right and left hand, and where the system breaks.
  • Markings. Slurs, ties, dynamics, articulations, lyrics, fingering, and text, the things that turn a list of notes into a performable score.

MusicXML vs MIDI vs PDF

The quick way to keep the three straight: a PDF is a picture of the score, finished and printable but locked, so you cannot change a note. MIDI is the notes for playback and editing in a DAW, but not a tidy score. MusicXML is the editable score itself, made to be opened and reworked in notation software. Print from PDF, produce from MIDI, edit notation in MusicXML. We break that decision down in full in MusicXML vs MIDI vs PDF, and compare the two editable formats head to head in MusicXML vs MIDI.

Which programs read it

Effectively all of them. MuseScore, Sibelius, Finale, and Dorico import and export MusicXML, and so do many lighter apps and web tools. That near-universal support is the whole reason to care about the format: it is the one file you can hand to a collaborator without first asking which software they use. If you have a MusicXML file in hand, our step-by-step on opening MusicXML in MuseScore, Sibelius, and Finale covers the import on each.

When to use MusicXML

Reach for MusicXML whenever the score itself needs more work: cleaning up the notation, adjusting the layout, adding markings, transposing parts, or handing the piece to someone who will edit it in different software. It is also the right format to archive in, because it stays editable and is not tied to one program's lifespan. If you only need to print and play from the page as is, a PDF is simpler; if you are dropping the notes into a DAW, MIDI fits better. The moment you want to keep editing the engraving, MusicXML is the answer.

How to get a MusicXML file of a song

If the music already exists as notation in some program, export it as MusicXML and you are done. If all you have is a recording, you need to transcribe it first. That is what Songscription is for: it listens to your audio, works out the notes, and lets you export the result as MusicXML, along with PDF, MIDI, and Guitar Pro, from the same transcription. You can then open the MusicXML in MuseScore or Finale to format it exactly how you want, which is the workflow we walk through in importing Songscription files into your notation software.

Frequently Asked Questions

What is MusicXML?

MusicXML is an open file format for sheet music. It stores a score the way a musician reads it: notes on staves, clefs, key and time signatures, lyrics, articulations, slurs, dynamics, and the layout into measures. Its job is to move a piece of notation from one program to another without anyone retyping it. It is the standard interchange format that MuseScore, Sibelius, Finale, and Dorico all read and write, so a score created in one can be opened and edited in another.

What is the difference between MusicXML and MIDI?

MIDI describes a performance: which notes were played and when, with no notion of how the music should be written down. MusicXML describes the written score: the same notes, but spelled correctly, beamed into rhythms, split between the hands, and laid out in measures with all the markings a reader expects. Use MIDI when you want the notes inside a DAW to produce sound or edit a part; use MusicXML when you want to open, edit, and engrave the actual notation in a score editor.

What programs can open a MusicXML file?

Every major notation editor reads MusicXML, including MuseScore, Sibelius, Finale, and Dorico, and many other apps import it as well. Because support is so widespread, MusicXML is the safest choice when you want a score you can keep editing across different software, now or years from now.

Need an editable score from a recording? Transcribe it and export MusicXML for the notation editor of your choice.

About the author

Andrew Carlins

Written by

Andrew Carlins

Co-Founder & CEO, Songscription

Andrew co-founded Songscription at Stanford with a few fellow musicians who were tired of not finding the notes to the songs they wanted to play. He grew up playing piano and baritone saxophone and performing in musical theater, and though he hasn't performed in years, he likes to think he's still pretty sharp. He writes about getting a song off the recording and onto the page.

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